Wow, what a November! I think this was my most diverse and interesting NaNo thread ever. Seriously, the questions were awesome. Here's the last set of highlights for the year, and super big thanks to everyone who participated!
I hope you enjoy!
You pose a very interesting question. For me, this kind of thing is all about execution. A good gotcha is something the audience should be able to see coming...if they know what to look for. This is where the execution challenge comes in. You have to balance your information reveals just right. Show too much, and the audience will see the bad guy coming from miles away, causing them to lose respect for your heroine when she doesn't pick up on the clues as quickly. Show too little, and the villain reveal will come out of nowhere, making it seem like a cheap "gotcha!" trick you pulled out of your butt rather than something you'd always had planned.
I hope you enjoy!
Writing Wednesdays (Special NaNoWriMo Edition!): AMA Thread Highlights #4!
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First up, we have a question from R Beckett about naive characters and "gotcha" endings.
I have a character who is a puppet master for the events of my story. He also happens to be my main character's best friend/love interest. So since I am telling the story through her eyes, there is not much hinting to his devious ways since she is blinded by her love for him to see it. Is it going to be too off putting to readers to reveal he was the bad guy the whole time? Or put into a broader question, how much of a "Gotcha!" can I get away with.
Actually as I am writing this I realize Disney did this kind of thing in Frozen. I should watch definitely go watch that and earn another Procrastination badge today... But I would appreciate your thoughts as well.My answer:
You pose a very interesting question. For me, this kind of thing is all about execution. A good gotcha is something the audience should be able to see coming...if they know what to look for. This is where the execution challenge comes in. You have to balance your information reveals just right. Show too much, and the audience will see the bad guy coming from miles away, causing them to lose respect for your heroine when she doesn't pick up on the clues as quickly. Show too little, and the villain reveal will come out of nowhere, making it seem like a cheap "gotcha!" trick you pulled out of your butt rather than something you'd always had planned.