Showing posts with label marketing. Show all posts
Showing posts with label marketing. Show all posts

Tuesday, October 2, 2018

Nice Dragons Finish Last $0.99 sale!

Hey everyone!

If you live in America (or anywhere that pays attention to American politics), you know the news cycle has been SUPER stressful and upsetting lately. I know I've been pissed off every minute of every day, so I thought why not inject some more positivity into the world? We need some nice dragons, dammit! So here you go:


This week only, both NICE DRAGONS FINISH LAST and ONE GOOD DRAGON DESERVES ANOTHER are on sale for $0.99 each!

That's right, for $2 you can give yourself (or foist on a friend) the gift of dragons! I think we all need a place where decency wins and bad guys get eaten right now, so if you've been waiting for an excuse to try my Heartstrikers series, this is it! Come give Julius a shot, I promise you won't be disappointed!

<3 p="">Rachel  

Monday, July 10, 2017

Interview with the Creative Penn!

I've been a fangirl of Joanna Penn's The Creative Penn since I first started wondering about self publishing. Naturally, then, when fans suggested Joanna and I do an interview on Twitter, I could not say yes fast enough, and here it is!!



We had a fantastic time, and if you enjoy publishing shop talk, I think you will, too. We talk abut writing fast (obvs), how to write for long stretches, marketing, working with spouses, creating story arcs, and a whole bunch more. It really was a blast, so go listen!



Audio podcast link. (with links for Apple and Android)

There's also a text transcript of the interview at the bottom of the post, in case you just want to read!

If you don't already read it, Joanna's Creative Penn is one of the best sources for serious business talk about indie publishing on the internet. I've been a fan for years and stolen many, many good ideas from her and her guests. Can not recommend enough! Thank you so much to Joanna for having me.

Hope everyone's week goes well, and happy writing!
- Rachel

Tuesday, January 31, 2017

Which Paid Marketing Works (and Doesn't Work) for Books

Hi Folks,

See? We're not gone totally! In fact, I have a massive, crunchy, and highly informative blog post for you all today. This post was over a year (and more money than I'd like to admit) in the making. I do hope you all find it useful, we certainly have. Today's post is all about marketing, paid marketing in particular.

Which Paid Marketing Works for Books. (and which doesn't...)

This summer, we embarked on a massive marketing effort for No Good Dragon Goes Unpunished. I had the whole campaign planned out with something new and interesting happening every week or every other week. We had our target customers, channels, and funnels all setup. To complete the package, we tracked the crap out of everything we did.

For the important parts of this article, we ran Facebook ads, we used Amazon Marketing Services, we commissioned art, and dropped list bait. We did a LOT is what I'm saying.
We spent thousands of dollars on marketing and today I'm going to share our data with you. 
I cannot bold that enough. This was, at the end of the day, a grand experiment for Aaron/Bach, LLC. We put down serious cash and we hired a professional data-driven marketing firm, Proof Industries to help us put it all together. Additionally, the whole effort coincided during a time of the year (launch) when we had maximum leverage working for us.

Now, I'm going to show you what we actually did, how well it's worked, and compare it to past marketing efforts to show how it stacks up. This is going to be one hell of a post.

So, first...

I want to plug the good folks over at Proof Industries. We threw an entire multi-channel marketing campaign at them in May and they made it happen starting in June. I could not have set up all the tracking infrastructure and hundreds of Facebook ads myself. They also helped us monitor the whole shebang as it happened and ran the post-mortem. 

Big thanks to Zach, Josh, and Ansley for helping us pull it all off!


Wednesday, September 21, 2016

How to Build Your Newsletter Using List Bait

Hi Folks,

Today I'm going to talk about the Heartstriker short, Mother of the Year. I'm going to go over what it is, why we made it, and why it's available as it is. I'm sure ya'll will find this educational as there's a lot going on here. So far this experiment has been a rousing success, so read on and we'll get into,

What We Did With Mother of the Year and Why


This post started when Tom Sweeney asked,
"My only question (you didn't think i was going to politely leave without a question, did you?) concerns the Mother of the Year gambit.
I know you are not selling it, just making it available for those on your list, and this likely resulted in a LOT of people signing up. I'm just wondering how effective it was for the end game goal, not building a list per se but selling books. I understand your data probably doesn't have enough granularity to determine how many of the new signups went ahead and bought one or more of the Heartstriker series books. You could have each sold lot of MotY copies at $.99, so do you think you came out ahead with enough Heartstriker books sold to cover the loss of revenue had you sold MotY?"

@Tom Thanks! Also, I love questions! Please feel free to ask away.

My reply was a wall of text and I realized that it'd be better as a blog post. So let's talk all about Mother of the Year.


First off, what is Mother of the Year?

MOTY, the short story you can download, is an interview with Besthesda, The Heartstriker about her 5th autobiography titled Mother of Year. It's about 4000 words long and is less of a story and more of a TV show transcript. The work is supplemental to the main series, meaning that you don't need to read it to appreciate Heartstrikers. So while it might make some parts cooler, it's not essential.

It is only available for people who sign up for the new release mailing list. This last bit is the most important part. You cannot buy MOTY. It is list exclusive content.


Why is it list exclusive and not [also] for sale?

Wednesday, September 7, 2016

Book Marketing Tactics Round-Up

Hi Folks,

I'm sure you are wondering what I'm doing here on a Wednesday post instead of Rachel. Well, after last week's blogging ate three of Rachel's mornings, we have come to the long-building conclusion that we're both blogging too much. Books aren't getting written and that means Things-Have-To-Change(TM) around here.

We're still going to update everywhere Wednesday with new advice and helpful posts, but Rachel and I will be alternating who's up each week.

Anyway, there's been a lot of requests for marketing posts and, as I'm always asking for post requests, I'm going to try my best. Marketing is a HUGE topic ya'll. People get degrees and spend lifetimes perfecting it as a skill. In a way, we're always talking about marketing here in some form or another.

Since "marketing books" is too big a topic, I'm instead going to list and talk about every single book marketing tactic that I know of. It's going to be a,

Book Marketing Tactics Round-Up

We all need some practical, effective, actionable information to sell books with. While there's loads of abstract marketing strategy we need to talk about, books still need to sell and we all have work to do. SO, let's focus on the pragmatic stuff today and I'll have more abstract strategy talk for ya'll on another day.

What, specifically, can you do to market a book?

I'm going to try to list things in the order of power/importance they will have on your book's sales.

Monday, June 20, 2016

Let's Talk Numbers: Why You Shouldn't Price Your Novel at $0.99

Hi Folks,

We're back from Colorado, so that means our more regular posts can resume. Thank you again to Kameron Hurley for filling in for us with her amazing gust post about hybrid authorship! (Seriously, go read it if you haven't! It's good!)

Today I have a short one about pricing. Let's talk about pricing a full length novel at 99c as a standard, not sale, price and the horrible problems that can create.

For this post, please keep in mind that I'm talking about full length novels. Short stories, serials, and novellas definitely have different pricing rules and this discussion may or may not apply to those arenas.

Why You Shouldn't Price Your Novel at $0.99


Every now and then, we see people doing this. They have a a shiny new book, a full length novel no less, and they release it for sale at a $0.99 cover price. Rachel and I cannot help but cringe when we see this happen, because we understand the faulty logic that's happening behind the scenes here.

Why would someone do this? There's basically three kinds of authors who put up full novels at what is a discount price.
  1. Those who are part of the book mill brands who write a book a month, don't edit or copy edit it, and just go for quantity over quality as a publishing strategy.
  2. People who are trying to build readership, often desperately so.
  3. Folks who don't think their books are worth full price.
It should come as no surprise that Rachel and I disapprove of the book mill approach. We don't think that it's good for the industry in general. Worse, the people we've see who pursue this kind of business model often talk about how soul killing it is, so y'all can see why we dislike this practice on many levels.

Now, people who are pricing their books at 99c as a means of building readership faster, those people I want to talk to the most today. For insecure authors, I'll be hitting on that topic near the end of this post.

Most everything I have to say about pricing low to build readership can be summed up simply as,

Using $0.99 as your regular price point is trading long-term gains for short-term ones.


Starting out, new authors need to build readership. It's the first and last item on their agenda besides writing the next book. Additionally, most people understand that lower price = greater volume so pricing to move is the logical tactic.
"Tactics without strategy are the noise before defeat"
-Sun Tzu, The Art of War
Persistent bargain-basement pricing is engaging in grievously short term tactics without really considering their impact on the future (ie the strategy for a healthy long-term career). There's three major issues with using $0.99 as a regular price point for full length novels.


Monday, May 23, 2016

All About Audio Books and ACX

Hi Folks,

Travis here. Last Monday was about the how's and why's of a series relaunch. This week's post is about audio books. I'm gonna touch on the explosive and awesome growth of the audio book market and how you can get into it. Plus some tips I'd learned at RT about managing your audio production properly.

I hope, by the end of this, you'll be totally pumped to get audio editions of your own book or books made. Also, I'm going to talk about ACX a lot today. This is basically an ACX guide.

So let's talk,

All About Audio Books

Audio books used to be limited and crazy expensive. Why In My Day it was something like $100 for a box set of 3-4 western short stories. Also, the audio book section of the book store was a lonely, hidden shelf that a reasonably tall person had to bend down to see. It was sad. 

Today though the audio book landscape is totally different. I mean, there were 43,000 audio books produced last year alone. One of the numbers I heard at RT2016 was that the audio book market has doubled every year for the last three years. That's fairly explosive by anyone's measure.

Yes Mr. Rock, that explosive

Rachel's and my personal experiences with audio book sales have been wonderful. We had 2k to 10k produced via ACX late last year for around $500 and it has already earned out. This is a book that's been out for a while and which we didn't really do any appreciable promotion for its audio release. That it has sold this well is a testament to the book but also to the strength of the growing audio book arena.

We've also signed deals with Audible for the audio book editions of Nice Dragons Finish Last, One Good Dragon, and the soon to be released No Good Dragon Goes Unpunished. So far this has resulted in awesome sales and an Audie award, which has knocked our socks off I must say.

Why Should You Go Audio?

First, more sales revenue is more better. I probably don't have to explain that part. Second, it's a new source of income that isn't fully coupled to print or ebook sales and sales channels. Additionally, audio book sales definitely affect ebook sales. Take a look at what happened with the Audie award.

NDFL eBook/KU sales.. May 13th was the announcement
Less dramatically, having an audio format helps sell more ebooks at a low level. Multiple formats makes your book(s) look official, more like a big deal, and that is very encouraging to customers in general. This effect is so well proven that Audible actively courts authors to make audio production happen. It's also good to know that having a print edition does this too. There's a reason CreateSpace likewise approaches authors with print services.

Lastly, consider market position. Audio books are growing fast, which means that getting in now and establishing presence, precedence, and audience are all investments that will grow with time. There's less competition in the audio book spaces, for now. It won't last forever.

Hopefully I've sold you on the many commercial reasons for having audio books made for your work.

Artistically, there's also the sheer cool factor of hearing your books narrated as well as just getting the story to an audience that otherwise would likely never read it. Consider the audio book customer, like I did in my customer stories a while back. Many are people who like books, but don't have time to sit and read books. They do, however, have space in their lives to listen to books.

Convinced? Let's get into execution then,

Monday, May 16, 2016

Should You Relaunch Your Series and How?

Hello glorious Monday morning, (can you tell I'm a parent? ^_^)

Last week I talked about Rachel and my teamwork. This week, I'd like to return to the train of marketing posts I'd been working by talking about rebranding and relaunching old series. If you have an older book or series out there, then I think that you'll find there's a lot you can still do with it. Also, for those you who launched a book and maybe didn't hit the mark on the marketing of it, this post should contain a number of useful segments.

So why should someone relaunch a series? What does that entail? What should they watch out for? Onward!

Should You Relaunch Your Series?

When I first heard about this idea of a relaunch, I had to slap my forehead that I'd never thought about it before.

Don't let the sales get you down Sokka

There's several considerations that make me very excited about the idea of relaunching a series. Basically it comes down to how different things are now versus then. By 'then', I mean when your given book or series first came out versus now.

The first and biggest thing that's probably changed is readers. Ebook market growth and book market growth has added millions every year. While many of these people are not wholly new to reading and books, think about how many launches and hot releases they weren't around for.

Therefore, if you have a book or series that's been out for several years,
There are millions, tens of millions even, of people who are in the market now that weren't around when your book was new. 
I personally find that potential very exciting and that's what we're all about reaching today.

Also consider how you have (hopefully) grown as an author. How many more readers, many more connections, and much larger reach you have now versus when the work originally came out. Ask yourself, if you launched your old series today, how much better could you make that launch go?

Age isn't the only consideration for a relaunch however. Newer works that have had a lackluster reception are also likely targets. Many good books miss their mark with their marketing. Look at The Spirit Thief for example. Great book, but it had the wrong cover and so it didn't do well to start. Then Orbit put a new, much more appropriate cover on it, and relaunched the series. It's been doing well ever since!

So, with these exciting possibilities in mind, let's talk about what a relaunch entails.

Monday, May 2, 2016

How To Reach Niche Audiences

Hi Everyone,

Travis here again! Last week I talked about how to design your author brand. There was a fair amount of interest in niche appeal books, so that's what this week's topic is going to be about.

Whether your book is niche or if you are trying to reach a niche audience, hopefully you'll find this post to contain useful strategies.

Let's get into it shall we?

How To Reach Niche Audiences

Today I'd like to talk about reaching niche audiences. Originally, this post was for people who worried that their book(s) were niche. Twitter and blog comments have shown me though that folks are also interested in reaching said niche audiences, not just being relegated to them. So...

Should you worry about the niche?

Right now, Rachel and I are watching an anime called Silver Spoon on CrunchyRoll. 

Its a farming anime!
On paper, this is 100% not our fare. We're hardcore genre fans. This is a contemporary drama about farming. No magic, no mystery, no action, no sci-fi, no futurism, it's not even historical. My shame is that I'd never even think about picking up a show/book like this on my own.

What drew us in was that we wanted another cooking anime (Shokugeki!!) to watch and this was vaguely sort of relevant since it dealt with food. Also very well rated, which helped.

So that's what we were expecting, but what we got was a well balanced show that is both serious and funny. It's very human and it wrestles with some amazingly deep and profound issues, tackling them with aplomb. It's my favorite thing to watch right now despite all the mecha and magical shows on my to-watch list.

What's the point here?

Anime has proven to me that you can make anything interesting and be successful at it. I hate sports, they all bore me to tears. Sports anime though? Sign me up! I never cared anything about soccer until I watched Giant Killing. Boxing? Meh.. Hajime No Ippo though? Glued to the screen! There are many, hugely popular basketball, swimming, and baseball anime shows now. Sports Tournament is now a full fledged genre and an intensely addictive one at that.

I've also watched baking animes, the Go anime, cooking animes, slow moving overly complicated math mysteries, magical realism nature shows, and more. All stuff that I don't normally like, but which the right anime can have the power to enthrall me with.

This extends to the ridiculous as well. I mean, look at One Piece! It's not just ridiculous, it's ludicrous! Yet it's the most successful anime/manga of all time (I'm pretty sure) and is still one of greatest stories I've ever seen.

This is all a long way of me saying that pretty much any idea can have wide spread commercial success when executed appropriately. What counts as appropriate execution however depends on the topic involved. Some things require more delicate and deliberate handling than others.

I'm sure ya'll want me to get to the meat here. There's more I want to say on widespread appeal, but that can come later. Lets talk about...

The Strengths of the Niche


Fear the Bug!

Monday, April 25, 2016

Designing Your Author Brand

Hi Everyone, Travis here. I'm going to be helping out on the blog more since we've so much to talk about. Today's topic is going to be a guide on designing your own author brand.

As you all know, Rachel and I just got back from RT 2016 not too long ago and we're bursting with things to share. While we were at RT, I went to probably 15 business, marketing, or industry panels in total. It was a lot!

One of the most common topics discussed was branding. Now I didn't hit every business panel, but there were easily 3 on branding alone. We hear about author branding a lot outside of the convention as well. I'm sure many of you have heard that you need to have a brand and that you need to manage it.

But what is you brand? How do you determine it?  What do you do with it? Well, that's what we're going to talk about today.